The Day after TOMORROW

Today, in effect.
Yesterday I had my exam and it went pretty well. I don't know if I made it or not, as it was fairly tough, and I'll have to wait until 16 June before I'll hear whether I passed it or not. I'll have to prepare for a possible resit, in any case.
The exam was in Utrecht and it had been a while since I last went there - visiting the city, I mean, not just passing through - and it was nice. Utrecht is quite a charming city with a lot of everything, and probably the Dutch city most closely resembling Venice. Obviously the first thing to do in a city when you're free to do what you want is visit the local bookstores, which I did. I think I spent at least half an hour rummaging through Broese's excellent collection of medieval history books: they have about ten shelves of medieval and early modern history, four shelves of Dutch medieval and early modern history, and then some extra books on those periods classified under their respective countries. Very nice to see such dedication, though I came away without any purchases, as most of their books were either too expensive, not really my subject, or both. I then went on to visit the wonderful De Slegte bookstore, but as I was just ascending the stairs to the second-hand history books I was shoved out as they were closing. I didn't even get to see their assortment.

Also, on Tuesday I went to The Hague to the presentation of the Gruuthuse manuscript at the Royal Library (link on the right, the manuscript is displayed on the Dutch section of the site). This is a valuable 14th century middle Dutch manuscript which was in private hands until now, and boasts 147 middle-Dutch songs complete with musical notation. The songs are artistic in nature, not popular, and most are delivered only through this manuscript, making it one of the most important middle-Dutch manuscripts around - even in the Middle Ages, the Dutch were not known for composing songs in their own language, so this collection is very rare. It also has international importance, as these are among the very few, if not only medieval poetical texts displaying cyclical patterns: for example, many poems start and end with the same verse, and many poems have every verse end with the same line, creating a primitive refrain of sorts. There's also repetitive use of acrostics - one charming poem (Melancolie dwinct mi de zinne) deals with the love of the poet, every verse hiding an acrostic of the person of his affection: Marie.
It was very cool not just to see the old book (opened on the page with its most famous poem, Egidius waer bestu bleuen), but also to hear the experts - including Frits van Oostrom and Frank Willaert - talk about it, and finally to listen to a small group of musicians perform some of the songs, which can best be described as a combination of gregorian and polyfonic music with almost renaissance texts, dealing with love, money, etc.
At the Royal Library they also host a permanent collection displaying some of the prize-pieces belonging to the Library and the National Archive, including the original constitution, the treaty of Münster (ending the conflict between Spain and the Republic), the death certificates of Anne Frank, illuminated manuscripts, etc. Very nice.

After the presentation I walked through The Hague a bit, which was nice, visiting De Slegte, where I was kicked out because they wanted to close (notice a trend?).